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El Autor/a
Adnan, Etel
Etel Adnan was born in Beirut, Lebanon in 1925. She is a celebrated writer, essayist, and playwright, and is the author of more than twenty books in all these disciplines. Her work as a whole is a faithful record of the times and places she has lived in Beirut, Paris, and in the San Francisco Bay Area. At least eighteen works by Adnan have been published in English. They include Sitt Marie Rose (Post-Apollo Press, 1982); The Arab Apocalypse (Post-Apollo Press, 1989); Sea and Fog (Nightboat Books, 2012), winner of the Lambda Literary Award for Lesbian Poetry and the California Book Award for Poetry; Premonition (Kelsey Street Press, 2014); Surge (Nightboat Books, 2018); Time (Nightboat Books, 2019), winner of the Griffin Poetry Prize and the Best Translated Book Award; and most recently Shifting the Silence (Nightboat Books, 2020). Her paintings, described by New York Times art critic Roberta Smith as stubbornly radiant abstractions, have been widely exhibited. Spanning media and genres, Adnan's writings have led to numerous collaborations with artists and musicians, including the French part of CIVIL warS, a multi-language opera by American stage director Robert Wilson, performed in Lyon and Bobigny in 1985. In 2014 she was named Chevalier des Arts et des Lettres, France's highest cultural honor, by the French Government. She died in Paris, in 2021.
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El Autor/a
Casavecchia, Barbara
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El Autor/a
Fattal, Simone
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Thus Waves Come in Pairs "Thinking with the Mediterraneans"
Thus Waves Come in Pairs "Thinking with the Mediterraneans"
Adnan, Etel
Casavecchia, Barbara
Fattal, Simone
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Thus Waves Come in Pairs "Thinking with the Mediterraneans"
Thus Waves Come in Pairs "Thinking with the Mediterraneans"
Adnan, Etel
Casavecchia, Barbara
Fattal, Simone

Reflections on the Mediterraneans, their interconnected cultures and bodies of sweet and salty water, and the possibilities of narrating their current transformations.

In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: There are many Mediterraneans: the geographical, the historical, the philosophical the personal, the one we swim, and we have swum in. It s an experience to swim, it is something you can t explain to somebody who never swam. This feeling of being held up by this water.

The third cycle of TBA21 Academy's curatorial fellowship program The Current, spanning from 2021 2023 focused on the Mediterraneans in a program entitled Thus waves come in pairs after a line from Adnan's poem Sea and Fog. It pointed to the necessity of thinking of, and thinking with, the Mediterraneans as plural plural as their interconnected cultures, and bodies of sweet and salty water, and possibilities of narrating their current transformations.

The rapid expansion of droughts, disruption of cycles of water and heat waves (above and below the rising sea level, where temperatures are rising and biodiversity is declining) across all Mediterranean shores is a key indicator of climate change in this area, occurring at a pace 20 percent faster than anywhere else on the planet. Mediterraneanization is an expansive global phenomenon now, whose borders and inhabitants are on the move. It calls for reorienting, and registering the limits of our own apparatuses of knowledge, as Iain Chambers and Marta Cariello write in their essay The Mediterranean Question: Thinking with the Diver.

By taking the conversation between Adnan and Fattal as a point of departure and inspiration, this publication intends to collect interdisciplinary reflections around/about the Mediterraneans through art, oceanic thinking, science, and activism, as well as to record fragments of the past two years of research, carried out through conversations, lectures, walks, trips, live performances, and podcasts.

Contributors
Jumana Emil Abboud, Omar Berrada, Barbara Casavecchia, Pietro Consolandi, Övül Ö. Durmusoglu, Petrit Halilaj & Álvaro Urbano, Zeyn Joukhadar, Ibrahim Nehme, Giovanna Silva. Foreword by Markus Reymann.
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Editorial: Sternberg Press
Materia: Crítica
ISBN: 978-1-915609-22-9
Idioma: Inglés
Medidas cm: 11.5 x 18.5
Páginas: 144
Fecha de edición: 01-05-2023
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